I got my iPhone 4S in
November 2011 and now, to my surprise, it’s the only camera I carry! Although I
am new to iPhoneography, I have been a photographer for nearly 40 years.
I fell into photography
pretty much by chance when I enrolled in the San Francisco Art Institute’s
photography department. At the time, 1971, SFAI was only one of maybe three art
schools in the country that taught photography as a fine art as opposed to a
commercial craft.
That meant the focus was on
the aesthetics of “seeing” and translating that seeing through the camera and
black and white film. It was a rich and avant garde environment in San
Francisco’s North Beach, still ripe with coffee houses, artists, writers, poets
and photographers.
For those of you who are experienced photographers, I always favored small, light cameras. My first camera was a Nikon S2 rangefinder, then a Leica M3 and an Olympus half frame. They were quiet, unobtrusive and inconspicuous.
Since discovering the iPhone
I have rediscovered the sense of joy, passion, sheer fun and creativity I experienced
in art school with those cameras. And I love it!
Which brings me to the opening
question, what is wabi-sabi? And what does it have to do with iPhoneography?
Wabi-sabi
is a Japanese aesthetic arising out of the Zen tradition. It is a celebration
of the beauty, harmony and authenticity of the imperfect, mundane or often
overlooked. It concedes that nothing is permanent, nothing lasts and nothing is
perfect. And in that lies a unique beauty for the discerning eye. While the
iPhone camera and iPhoneography itself may be considered a medium of expression
of those very same wabi-sabi values, it flies in the face of the often fanatical
pursuit of image "sharpness" that accompany more traditional forms
and tools of photography.
According to writer Patricia Ward, "Wabi, sabi, and suki are important yet illusive concepts that explain the notion of Japanese beauty. Wabi denotes simplicity and quietude and incorporates rustic beauty, such as patterns found in straw, bamboo, clay, or stone. It refers to both that which is made by nature and that which is made by man. Sabi refers to the patina of age, the concept that changes due to use may make an object more beautiful and valuable. This incorporates an appreciation of the cycles of life and careful, artful mending of damage. Suki means subtle elegance referring to beauty in accidental creation or unconventional forms."
Japanese architect Tadao Ando says, “Wabi-sabi is underplayed and modest, the kind of quiet, undeclared beauty that waits patiently to be discovered. It's a fragmentary glimpse: the branch representing the entire tree, shoji screens filtering the sun, the moon 90 percent obscured behind a ribbon of cloud. It's a richly mellow beauty that's striking but not obvious, that you can imagine having around you for a long, long time . . .”
I
believe the iPhone with its multiplicity of apps, produces all kinds of
imperfect yet beautiful images, both by professional photographers and novices
alike. And I observe so many of these “iPhoneographers” having a blast playing
with all the creative possibilities that are contained right within the tool
itself!
As
Teri Lou Dantzler shared in a recent blog post, paraphrasing here, iPhoneography is
photography and those who use the iPhone are making photographic images. So,
iPhoneography exists in a long tradition of technical and aesthetic practices
and distinctions. And, at the same time, appears to be producing both a
revolution and an evolution in the art of photographic image making.
If
the notion of wabi-sabi appeals to you I encourage you to explore the idea for
yourself. Go on an art walk around your home, your yard or neighborhood as a
kind of meditation, moving slowly and allowing your unconscious to lead your
eye and perhaps direct your gaze toward some previously unnoticed scene;
gardening utensils lying haphazardly on a worn table or bench, blossoms in a
state of early decay, some object out of place or set askew.
Remember,
you are looking for the imperfect, the worn and well used or ordinary and often
overlooked.
See if this kind of exercise brings some new awareness and sensitivity to your image making with your iPhone. And thus producing images of exceptional beauty “that you can imagine having around you for a long, long time . . .”
Here are some images that could perhaps qualify as wabi-sabi.
Headless Man in Madrid Airport
Old Adobe Wall and Wooden Door
The Last Red Leaf
This is a facinating post Paul. . . on so many levels. I love the photos too. Indeed you do have me thinkin "iphone" for my next camera upgrade:)
ReplyDeleteIt's nice to see professionals like you, Paul, embracing iPhoneography because at the end of the day a camera phone is just another piece of kit. Granted, it may not be able to compete with a high end dSLR but that doesn't mean you can't shoot great images with an iPhone or the like - especially with all the apps available. That's exactly why we've set up a new stock agency that accepts images shot using mobiles and pocket cameras. We believe it's the content that's important and we're always on the look out for new contributors, so if any of your readers are interested in submitting images, find us at http://www.pocketstock.com/
ReplyDelete